7 May 2018

‘Romanian literature: Fascism and erotica’, by Maria Bucur, 2016.

Reading had been frowned on in Romania during the communist era.  The celebration of the book there was largely started in the early post-communist period by Mihai Oroveanu, “a remarkable cultural figure and a spectacular photographer of late-socialist urban reality”.  This led to Bookarest, a chaotic but stimulating book fair.

In the early days it was dominated by essayists and philosophers.  These individuals had grouped around Constantin Noica, an ex-fascist, in the 1970s and 80s and they became influential cultural figures themselves post-1989.  Contemporary Romanian literature gained prominence domestically after 2000, prior to which literary interests had turned to what had previously been forbidden, primarily western fiction and erotica.  The best known of the contemporary writers are Herta Müller and Mircea Cărtărescu.

Müller, born in Romania but based in Germany and writing in that language, only became known in Romania after 2000.  She achieved a profile in the country when her books were translated into Romanian, and used it to criticise the old communist regime, including its literary apologists.  Her critics feted Cărtărescu as a counterweight to her, and his reputation grew as his books were translated; his name was frequently mentioned as worthy of the Nobel Prize when Müller won it in 2009.

Book fairs, with Bookarest in spring and now Gaudeamus in the autumn, have grown in importance since the 1990s.  They attract visitors from overseas in large numbers, with both established writers and new names present, and they have retained their relevance despite the growing importance of the internet as a publishing outlet.

Source: TLS, 13 December 2016


(This was first published on The Joy of Mere Words, 9 April 2018)