6 March 2021

Born in Romania/Născut în România, by Liviu Ioan Stoiciu


Liviu Stoiciu’s Born in Romania/Născut în România (2014) is a collection of his poetry compiled by the Contemporary Literature Press, the online publishing house of the University of Bucharest.  The poems are presented both in Romanian and an English translation by Leah Fritz and Ioana Buşe, and are accompanied by a selection of photographs with rural subjects. The book’s title was chosen by the translators, not Stoiciu.  Editor Lidia Vianu’s introduction provides biographical details outlining Stoicu’s varied working life, background essential for an understanding of his writing.

 He was born in Moldova in 1950.  In 1968 he joined the army for two years and after that moved from job to job.  Refusing to become a member of the Communist Party, he remained an outsider and was considered a dissident.  This proved to be an advantage after 1989, and he was in the first post-Ceaușescu government, though not being a party man by temperament he quit after three months.  Despite his lack of a focused work life, he has always been a writer, having had his first poem published (in a communist paper) in 1967.

 The poems collected here tersely, and often cryptically, address such themes as aging, the elusiveness of memory, difficulties with relationships, the shallowness of modern life, the inevitability of change, the past as simultaneously sweetly nostalgic and an encumbrance that needs to be escaped, and foreboding for the future.  He touches on nature but also politics, apparently hopeful for improvements but pessimistic about the alienation of the human condition and the failures of institutions both religious and secular.

 If that all sounds on the dour side, he is not didactic about it and there is some humour, albeit wry.  His poetry interweaves lived experience with fantasy, but always foregrounds the independent spirit he has displayed throughout his career.  He said in an interview that his name is etymologically linked to stoic, and stoicism has been a touchstone.  It could be he doesn’t see much to laugh about: if for Brecht the bitch was in heat again, for Stoiciu it has had its puppies (‘Pierdut’/’Lost’), and we have to deal with the consequences.

 Following the poems are further biographical details (including the startling fact that his mother was killed by lightning a few months after his birth), and a list of his publications.  He has been a prolific author, having written novels, a play and journalism as well as poetry, though in recent years he seems to have slowed down.  Considering his emphasis on personal independence, it is surprising to read that he joined the Romanian Writers’ Union, though only after 1989.  Născut în România concludes with brief information about the translators and illustrator.

 It would have been useful to know the approximate dates of the poems’ composition in order to track the evolution of Stoiciu’s style and subject-matter, particularly to see what changes occurred after 1989.  The rationale for this selection, and a more extensive discussion of its themes, would have assisted enormously in orienting readers new to his work.  However, the volume is still a welcome introduction, even though it only skates the surface of his output.

 The e-book is available free on the Contemporary Literature Press website:

 https://editura.mttlc.ro/liviu-stoiciu-poems.html